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Starting from displacement operations, reminiscent of ready-mades, the posters contain the gesture of pulling out within themselve. There is, on the one hand, a learning of the subject and a concern with the history represented in the wear and tear of the material and, on the other hand, the artist offers us a complicity, but simultaneously critical view of contemporary society, narrowing the gap between art and life. "From the Netherlands with love" can have different political and social interpretations like almost all the author's works.
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